Manzoni, 52, is pleasingly Italian in manner and accented English. Passionate and forthright, he has strong views on what makes good design in general and for Ferrari in particular. Having increased the importance of the brand’s Styling Centre considerably since becoming head of design in 2010, the now 80-strong team increasingly creates new vehicles in-house (as opposed to using former independent design company Pininfarina). The first project Manzoni fully oversaw within Ferrari was the La Ferrari. He’s a firm believer in form following function, “but not in a German way,” he says with a smile, citing the side of the 488 GTB, which is shaped by the need to divert air in a certain way around the car and also to look fantastic. As he declares: “You’d never find lines on a Ferrari just for decoration. The scoop on the 488 GTB is sensual but also logical.”
As another example, he says that his “latest baby,” the track-focused FXX K Evo, took a different path from the very engineering-focused Enzo of 2002, designed well before he joined the company. “We worked for eight months with the engineers on the FXX, to keep the functionality and make it beautiful.”
In Manzoni’s job, it would be impossible not to respect Ferrari’s incredible back catalog — he owns a Gandini-designed Ferrari 208 GT4, “still very beautiful, but iconic as well” — but he’s no slave to the past. “Déjà vu is something we don’t like,” he says with a slightly scolding look. “We don’t agree with nostalgia or the need to create a family feeling throughout our range. But a Ferrari must be recognizable without the badge. There are different ways to do this — not just in details like the headlamps, but sometimes in how you treat the surfaces. It’s tricky to explain, but it’s a feeling.”